Nadya Ismail, Lisbon, 2001.
Currently attending the Painting course at the Faculty of Fine Arts in Lisbon.
Splitting the art practice between painting and writing, all the present work is a work of Memory and Sentimental Awareness.
The images are the result of the discovery of old family chests, in an attentive search for the right detail where the gaze is directed and in fostering the fiction of images of unknown faces.
Before looking for a reunion with the faces of the past, everything happens like a painting from the present. A fleeting writing to the time.
