Le Dernier Cri (The Last Word) - Rene Magritte


Limited Edition: of 300
Size: 78×58cm
Medium: Lithograph on BFK Rives Paper
Prix:
€890

Description

Color lithograph after the 1967 oil on canvas by René Magritte, plate-signed by Magritte and numbered from the edition of 300.

Medium: Lithograph on BFK Rives Paper.
Size: 78×58cm
Edition of 300.

Printed using 100% cotton 300 g/m² BFK Rives paper. Artwork entirely made in France: from the production of the paper in Arches in the Vosges department, to the traditional lithographic printing process, one drawing for each different color, one color per press run.

The lithograph was authorized, supervised and validated by the ADAGP (Society of Authors in the Graphic and Plastic Arts) and by Mr. Charly Herscovici, President of the Magritte Foundation, Chairman of the Magritte Museum and unique representative of the Magritte Succession. It features the dry stamps of the Magritte Foundation & ADAGP and is countersigned in pencil by Mr. Charly Herscovici. A proof of edition is printed on the back of the lithograph.

Shipped with a certificate of authenticity signed by our company, the exclusive printers and publishers of René MAGRITTE lithographs.

Donation: 7% of this artwork will go to "Socorrer a Linha da Frente" | www.socorreralinhadafrente.com | Socorrer a Linha da Frente was created to help healthcare professionals at the forefront of the fight against COVID-19 by delivering meals, beds and personal hygiene items to hospitals.
About the Artist: With his highly cerebral Surrealist imagery, René Magritte breathed new life into seemingly conventional subject matter. He often painted everyday objects out of context, in juxtapositions forcing the viewer to reconsider things normally taken for granted. In his iconic trompe l’oeil work The Treachery of Images (1928-29), for example, Magritte painted a hyperrealistic pipe and wrote, just beneath it, “this is not a pipe” - a caution not to trust our eyes and reminder that the art object, no matter how convincing, is not the real thing. Magritte’s highly figurative style of Surrealism is often discussed along the work of Salvador Dalí and Giorgio de Chirico, and his persistent interrogation of objects has both influenced and paved the way for seminal artistic movements, from Conceptualism to Pop art.

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